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A member of the Kinshasa-based band Konono Nº1 playing the likembe, a traditional thumb piano. The Congolese rumba is characterized by a slow-to-moderate tempo and syncopated arrangement of drums and percussion, typically following a 4 4 time signature. [21] The genre's instrumentation has evolved over time.
During the mambo era of the 1940s, bongo players began regularly using a large hand-held cowbell during the montuno section in son groups. This bongo bell role was introduced in the son conjunto of Arsenio Rodríguez. Pattern 5 is the basic bongo bell pattern. Cuban bongo bell pattern, with 2-3 son clave above. [56] Play ⓘ.
African drum made by Gerald Achee Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2]
The tibwa rhythm also provided inspiration for the chouval bwa and then for zouk (two Antillean popular music). In zouk, the rhythm is often simplified to an almost-constant 3+3+2 motif and played with rimshots on the snare while the chacha or hi-hats play the cinquillo-tresillo rhythm.
Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as bongosero and often plays a continuous eight-stroke pattern called martillo (lit.
It can also be heard as 1-2-1-2 1-2-1-2-1-2. Essentially, it is the rhythm of the tambora applied to conga. In merengue típico (or cibaeño), the rhythm is usually more complex and less standardized; it can range from simply hitting the conga on a fourth beat to playing full patterns that mark the time.
Funde: The funde is the middle drum. It maintains the rhythms, on 2 and 4. It is held on the floor between the knees and played with the palms. Repeater: The repeater or kete, is the smallest and highest pitched drum. It is somewhat of a single elongated bongo. The drummer tends to play around 2 and 4, with a syncopated, rather than a backbeat ...
English: Music and lyrics of the song "Good Morning to All", with third verse "Happy Birthday to You", printed in 1912 in Beginners book of Songs with instructions unauthorized publication, which do not credit Hill’s 1893 melody.