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The Studio International – an illustrated magazine of fine and applied art. 1893–1980. Illustrated. Only volumes out of copyright are held. The Wide World Magazine (Pub. by George Newnes). Travel and adventure magazine (1898–1965). Hundreds of b/w photos and drawings by top illustrators of the Victorian/ Edwardian period. Art International
In European academic traditions, fine art (or, fine arts) is made primarily for aesthetics or creative expression, distinguishing it from popular art, decorative art or applied art, which also either serve some practical function (such as pottery or most metalwork) or is generally of limited artistic quality in order to appeal to the masses.
Allan Gwynne-Jones CBE DSO RA (27 March 1892 – 5 August 1982) was an English painter.. Gwynne-Jones was born in Richmond, Surrey.He was educated at Bedales School and then qualified as a solicitor, but never practised.
The Studio: An Illustrated Magazine of Fine and Applied Art was an illustrated fine arts and decorative arts magazine published in London from 1893 until 1964. The founder and first editor was Charles Holme. The magazine exerted a major influence on the development of the Art Nouveau and Arts and Crafts movements.
According to an art journal in 1921, "The foundation of a body to protect the existence of draughtsmanship was never more needed than at the present time." The editorial welcomed the formation of the SGA, as part of "a renascent school of thought", and praised the inaugural exhibition, held at the RBA Galleries in London on 1–29 January, 1921.
The Fine Arts Journal, published in Chicago from 1899 to 1919, [1] was an art magazine devoted to the fine arts and increasingly to the arts in the broadest sense. The editor to 1905 was Marian A. White, who sought to make the journal a vehicle "to promote and foster a love for art American in type and the work of the American artist in particular", but resigned when she felt the publisher was ...
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ArtAsiaPacific is the longest running English-language periodical solely dedicated to covering contemporary art and culture from sixty-seven countries, territories, and Chinese Special Administrative Regions that it considers to be within Asia, the Pacific, and the Middle East.