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The fire started in the merchant shops around Rome's chariot stadium, Circus Maximus. After six days, the fire was brought under control, but before the damage could be assessed, the fire reignited and burned for another three days. In the aftermath of the fire, 71% of Rome had been destroyed (10 out of 14 districts). [2]
It depicts a group of Early Christian martyrs who are about to be burned alive as the alleged perpetrators of the Great Fire of Rome, during the reign of emperor Nero in 64 AD. People from many different social spheres, including the emperor himself, are present to watch the burning, which takes place in front of the Domus Aurea .
The triumviri nocturni (meaning three men of the night) were the first men, being privately owned slaves, organized into a group that combatted the common problems of fire and conflagrations in Rome. Another organization dedicated to fighting fires in ancient Rome was a band of slaves led by the aedile Marcus Egnatius Rufus .
AD 64 was a leap year starting on Sunday of the Julian calendar, the 64th Year of the Anno Domini designation, the 64th year of the 1st millennium, the 64th year of the 1st century, and the 4th year of the 7th decade.
He was commissioned by Pope Paul III to rebuild the Piazza del Campidoglio because the pope wanted a symbol of the new Rome to impress Charles V, who was expected to visit Rome in 1538. Since the Middle Ages the piazza was in such a state of abandonment to be also called "colle caprino" (goat hill), as it was used for grazing goats after the ...
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...
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The Crucifixion Between Saints Jerome and Christopher is a painting by the Italian Renaissance master Pinturicchio, painted around 1475 and housed in the Borghese Gallery of Rome, Italy. It is one of the earliest known works by the Umbrian painter, after some of the panels of the Miracles of Saint Bernardino cycle (1473).