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Hamlet caresses Ophelia and kisses her fingers and arm. Then, alone, Hamlet says: "Now, Horatio, you are mine". Part four: Hamlet's antagonistic feelings towards Ophelia leak out: the prince brushes her off in person and writes a letter calling her a numbskull. Hamlet's father urges the prince to avenge him in a dream.
Ophelia (/ oʊ ˈ f iː l i ə /) is a character in William Shakespeare's drama Hamlet (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet.
Polonius forces Ophelia to return Hamlet's love letters to the prince while he and Claudius secretly watch in order to evaluate Hamlet's reaction. Hamlet is walking alone in the hall as the King and Polonius await Ophelia's entrance. Hamlet muses on thoughts of life versus death. When Ophelia enters and tries to return Hamlet's things, Hamlet ...
Eliot writes that Hamlet's state of mind is a direct result of his confused emotions and the lack of external representation for these emotions in an objective correlative. He goes on to say that Hamlet's initial conflict is a disgust in his mother, but his feelings regarding the situation are too complex to be represented by Gertrude alone ...
Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
Hamlet and Oedipus is a study of William Shakespeare's Hamlet in which the title character's inexplicable behaviours are subjected to investigation along psychoanalytic lines. [ 1 ]
The orchestra begins Hamlet's Theme again, and Gertrude asks whether Hamlet seeks the young and beautiful Ophélie, but Hamlet responds that youth and beauty will vanish in a single day. When the orchestra has finished playing Hamlet's Theme, Claudius suggests that Hamlet may wish to travel abroad, to France and Italy, but Hamlet responds he'd ...
Eliot targeted Hamlet's disgust with his mother as lacking an "objective correlative"; viz., his feelings were excessive in the context of the play. Questions about Gertrude and other minor characters were later taken underwing by the feminist criticism movement, as criticism focused more and more on questions of gender and political import.