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"Knockin' on Heaven's Door" is a song by American singer-songwriter Bob Dylan, written for the soundtrack of the 1973 film Pat Garrett and Billy the Kid. Released as a single two months after the film's premiere, it became a worldwide hit, reaching the Top 10 in several countries.
Her cover of "Knocking on Heavens Door" was included on the soundtrack of the finale to season 2 finale of The 100 in March 2015. [2] In its first week of release the lead single reached No. 116 on the US iTunes pop charts. [2] In 2015, the use of "Knocking on Heavens Door" in The 100 was voted Best Use of Music by audiences in the ...
Kristofferson noted in an interview, though, that Peckinpah had felt that Dylan had been pushed on him by the studio and thus left "Knocking on Heaven's Door" out of the preview version. In Kristofferson's opinion, "Heaven's Door" "was the strongest use of music that I had ever seen in a film. Unfortunately Sam…had a blind spot there." [21]
Knockin' on Heaven's Door is a 1997 German crime tragicomedy film by Thomas Jahn, starring Til Schweiger, Moritz Bleibtreu, Jan Josef Liefers and Rutger Hauer. Its name derives from the Bob Dylan song which is also on the film's soundtrack.
Knocking on Heaven's Door may also refer to: Knockin' on Heaven's Door, a 1974 album by Arthur Louis "The Beginning and the End, or 'Knockin' on Heaven's Door", a 1996 episode of the TV series Neon Genesis Evangelion "Knockin' on Heaven's Door", a 1997 song by Avalon from their album A Maze of Grace; Knockin' on Heaven's Door; Knocking on ...
"Knockin' on Heaven's Door" is essentially the same song as "Wait a Minute" (recorded by Seldom Scene on their album Old Train) with a different lyric. I'm not sure which song came first, but given Robert Zimmerman's prodigious propensity for plagiarism it seems to me the matter bears looking into. TheScotch 09:32, 27 May 2018 (UTC)
The Grand Duo Concertant, Opus 48, J204, is a three-movement work for clarinet and piano composed by Carl Maria von Weber from 1815 to 1816. It is a virtuosic piece for both instruments. [ 1 ] Weber most likely composed the work for himself (on piano) and his friend Heinrich Baermann , a leading clarinettist of the era, although it has also ...
An example of a clarinet–viola–piano trio existed several hundred years before the clarinet–violin–piano trio; Mozart composed the Kegelstatt Trio in the 18th century, and the Romantic composer Max Bruch composed a suite of eight pieces for this combination, as well as a double concerto for viola, clarinet, and orchestra. Many of these ...