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Therefore, 16-bit digital audio found on CDs has a theoretical maximum SNR of 98 dB, and professional 24-bit digital audio tops out as 146 dB. As of 2011 [update] , digital audio converter technology is limited to an SNR of about 123 dB [ 12 ] [ 13 ] [ 14 ] ( effectively 21 bits) because of real-world limitations in integrated circuit design.
Each additional bit adds approximately 6 dB in possible SNR (e.g. 24 x 6 = 144 dB for 24-bit and 120 dB for 20-bit quantization). The 16-bit digital system of Red Book audio CD has 2 16 = 65,536 possible signal amplitudes, theoretically allowing for an SNR of 98 dB. [2]: 49
The SNR values are given for the rectangular region on the forehead. The plots at the bottom show the signal intensity in the indicated row of the image (red: original signal, blue: with noise). Signal-to-noise ratio (SNR or S/N) is a measure used in science and engineering that compares the level of a desired signal to the level of background ...
The 16-bit compact disc has a theoretical undithered dynamic range of about 96 dB; [20] [d] however, the perceived dynamic range of 16-bit audio can be 120 dB or more with noise-shaped dither, taking advantage of the frequency response of the human ear. [21] [22]
16 bit 40 ms Yes No Yes: only in MPEG-4 Part 12 container: Yes: only in MPEG-4 Part 12 container: G.721: ADPCM, Lossy: 8 kHz 32 kbit/s 13 bit Yes No No No G.722: sub-band ADPCM, Lossy: 16 kHz 64 kbit/s (comprises 48, 56 or 64 kbit/s audio and 16, 8 or 0 kbit/s auxiliary data) 14 bit 4 ms Yes No No No G.722.1
Since around 1989, 1-bit delta-sigma modulators have been used in analog-to-digital converters. This involves sampling the audio at a very high rate (2.8224 million samples per second, for example) but only using a single bit. Because only 1 bit is used, this converter only has 6.02 dB of dynamic range.