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Custom lettering on the spine of a 1960s book. Lettering is an act or result of artfully drawing letters, instead of writing them simply. Lettering is considered an art form, where each letter in a phrase or quote acts as an illustration. Each letter is created with attention to detail and has a unique role within a composition. [1]
Boldface is often applied to the first occurrence of the article's title word or phrase in the lead.This is also done at the first occurrence of a term (commonly a synonym in the lead) that redirects to the article or one of its subsections, whether the term appears in the lead or not (see § Other uses, below).
Invisible ink, also known as security ink or sympathetic ink, is a substance used for writing, which is invisible either on application or soon thereafter, and can later be made visible by some means, such as heat or ultraviolet light.
This is how the printer's key may appear in the first print run of a book. In this common example numbers are removed with subsequent printings, so if "1" is seen then the book is the first printing of that edition. If it is the second printing then the "1" is removed, meaning that the lowest number seen will be "2". [3]
In this table, Bold text The first cell in each row gives a symbol; The second is a link to the article that details that symbol, using its Unicode standard name or common alias.
Quality writing had a rhythm and regularity to the letters, with a "geometrical" order of the lines on the page. Each character had, and often still has, a precise stroke order. Sacred Western calligraphy has some unique features, such as the illumination of the first letter of each book or chapter in medieval times. A decorative "carpet page ...
Rubrication is the addition of text in red ink to a manuscript for emphasis. Practitioners of rubrication, so-called rubricators or rubrishers, were specialized scribes who received text from the original scribe. Rubrication was one of several steps in the medieval process of manuscript making.
For black letter type boldface was not feasible, since the letters were very dark in their standard format, and on (most) typewriters only a single type was available. Although letter-spacing was common, sometimes different typefaces (e.g. Schwabacher inside Fraktur ), underlining or colored, usually red ink were used instead.