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The libretto by Georg Philipp Harsdörffer (1607–1658), first published 1644 in the fourth part of his Frauenzimmer Gesprächspiele, is based on the schoolplay Ein gar schön geistliches Waldgetichte genant Die glückseelige Seele of 1637, itself translated from L'anima felice favola boschareccia by the Italian Nicolò Negri (1606).
The most famous German-born opera composer of the era, Handel, wrote four operas for Hamburg at the beginning of his career but soon moved on to write opera seria in Italy and England. [5] In 1738, the Theater am Gänsemarkt went bankrupt and the fortunes of serious opera in German went into decline for the next few decades.
Weber's masterpiece was the first great German Romantic opera. [48] 1823 Euryanthe (von Weber). Despite its weak libretto, Euryanthe had a great influence on later German operas, including Wagner's Lohengrin. [49] 1823 Semiramide (Rossini). This is the last opera that Rossini composed in Italy. [50] 1825 La dame blanche (François-Adrien ...
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The Province of Pennsylvania, also known as the Pennsylvania Colony, was a British North American colony founded by William Penn, who received the land through a grant from Charles II of England in 1681. The name Pennsylvania was derived from the Latin for "Penn's Woods", referring to William Penn's father Admiral Sir William Penn.
Thomas Holme's 1687 map of Pennsylvania. "The Welch Tract" appears to the left of center. In the late 17th century, there was significant Welsh immigration to Pennsylvania for religious and cultural reasons. In about 1681, a group of Welsh Quakers met with William Penn to secure a land grant to conduct their affairs in their language.
Although he was born in Germany, he first visited England in 1710, later moving there and becoming a naturalised citizen, playing a defining role in the music of the British Isles. [13] Handel drew heavily on the continental, particularly Italian, Baroque style, but was also highly influenced by English composers such as Purcell. [ 14 ]
Sullivan wrote only one grand opera, Ivanhoe (following the efforts of a number of young English composers beginning about 1876), but he claimed that even his light operas were to be part of an "English" opera school, intended to supplant the French operettas (usually in bad translations) that had dominated the London stage throughout the 19th ...