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Archaic and Classical Greek Art (1998), by Robin Osborne in the Oxford History of Art. The Oxford History of Art is a monographic series about the history of art, design and architecture published by Oxford University Press. [1] It combines volumes covering specific periods with thematic volumes.
The writings of Johann Joachim Winckelmann, especially his books Thoughts on the Imitation of Greek Works in Painting and Sculpture (1750) and Geschichte der Kunst des Alterthums ("History of Ancient Art", 1764) were the first to distinguish sharply between ancient Greek, Etruscan, and Roman art, and define periods within Greek art, tracing a ...
Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, [1] is the period of cultural European history between the 8th century BC and the 5th century AD [note 1] comprising the interwoven civilizations of ancient Greece and ancient Rome known together as the Greco-Roman world, centered on the Mediterranean Basin.
The Parthenon, in Athens, a temple to Athena. Classical Greece was a period of around 200 years (the 5th and 4th centuries BC) in ancient Greece, [1] marked by much of the eastern Aegean and northern regions of Greek culture (such as Ionia and Macedonia) gaining increased autonomy from the Persian Empire; the peak flourishing of democratic Athens; the First and Second Peloponnesian Wars; the ...
Byzantine art grew from the art of ancient Greece and, at least before 1453, never lost sight of its classical heritage, but was distinguished from it in a number of ways. The most profound of these was that the humanist ethic of ancient Greek art was replaced by the Christian ethic.
Some art historians focus their study on the development of art in the classical world. Indeed, the art and architecture of ancient Rome and Greece is very well regarded and remains at the heart of much of our art today. For example, ancient Greek architecture gave us the classical orders: Doric, Ionic, and Corinthian. The Parthenon is still ...
Pharsalos stele, c. 470–60, Louvre. The Severe style, or Early Classical style, [1] was the dominant idiom of Greek sculpture in the period ca. 490 to 450 BCE. It marks the breakdown of the canonical forms of archaic art and the transition to the greatly expanded vocabulary and expression of the classical moment of the late 5th century.
The Greeks is a 1951 non-fiction book on classical Greece by University of Bristol professor and translator H. D. F. Kitto. [1] [2] The book was first published as a hardback copy by Penguin Books, but has been republished in several formats since its initial publication.