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The track "More Than Wonderful" would win many accolades including a Grammy Award for Best Gospel Performance by a Duo or Group at the 26th Grammy Awards, winning both Patti and Larnelle Harris their first Grammys together and a Dove Award for Song of the Year for its writer Lanny Wolfe and the album would win Inspirational Album of the Year ...
Lanny Wolfe (born February 2, 1942) is an American Christian music songwriter, musician, music publisher, and music educator. He has written over seven hundred songs and fourteen musicals, and has recorded over seventy projects.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V). A chord may be built upon any note of a musical scale.
When used with chord symbols, the Roman numerals represent the root of a triad built on the associated scale step. In music theory based on the practices of the common practice period and its derivations the chord numerals are often written in upper case for chords in the major family, and in lower case for chords in the minor family, with the usual "m" or "—" minor chord quality suffix ...
In 1975, Wonder brought the demo recording of the song to Crystal Sound studio in Hollywood, California, where he further developed its lyrics and chords. [2] Unlike the demo recording, Wonder decided to play the song in the key of E-flat, which he felt better suited his voice and overall "felt better, spiritually". [2]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.