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"Cupid" is written in common time in the key of D major with a tempo of 120 beats per minute, with the group's vocals ranging from a low note of G 3 to a high note of E♭ 5. [23] It is a "retro"-sounding [ 10 ] K-pop , [ 3 ] disco-pop , [ 24 ] synth-pop , [ 25 ] and bubblegum [ 26 ] song that runs for about three minutes.
In Japan, "Ue o Muite Arukō" topped the Popular Music Selling Record chart in the Japanese magazine Music Life for three months, and was ranked as the number one song of 1961 in Japan. In the US, "Sukiyaki" topped the Billboard Hot 100 chart in 1963, one of the few non-English songs to have done so, and the first in a non-European language.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
While English-language versions of K-pop songs are increasingly common, they are usually rolled out after the original and frequently feel like an afterthought. That’s not the case here.
A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. [1] [2] The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to parallel minor or major, which shares the same tonic.)
An American version by Jewel Akens with different English lyrics was written for it. Titled "My First Lonely Night (Sukiyaki)" in 1966, the song reached number 82 on the Billboard Hot 100. On 16 March 1999, Japan Post issued a stamp commemorating Sakamoto and "Ue o Muite Arukō". [ 11 ]
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.