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At a Queen's Hall concert on 22 November 1919, Holst conducted Venus, Mercury and Jupiter. [n 3] There was another incomplete public performance, in Birmingham, on 10 October 1920, with five movements (Mars, Venus, Mercury, Saturn and Jupiter), conducted by the composer. [22]
Keith Emerson Band used "Jupiter, the Bringer of Joy" for their song "Marche Train". Manfred Mann's Earth Band used "Jupiter, bringer of joy" for his song "Joybringer". [22] The 1985 album Beyond the Planets, by Jeff Wayne, Rick Wakeman and Kevin Peek (with narration by Patrick Allen), is a rock arrangement of the entire suite. [23]
The album consists of songs inspired by the Solar System. There are songs for the system's planets—Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, and Neptune—as well as the dwarf planet, Pluto. There are also songs inspired by black holes, Halley's Comet, the Kuiper belt, the Moon, and the Sun.
Holst downplayed such music as "a limited form of art" in which "mannerisms are almost inevitable"; [156] the composer Alan Gibbs, however, believes Holst's set at least equal to Vaughan Williams's Five English Folk Songs of 1913. [157] Holst's first major work after The Planets was The Hymn of Jesus, completed in 1917.
This is a discography of commercial recordings of The Planets, Op. 32, an orchestral suite by Gustav Holst, composed between 1914 and 1916, and first performed by the Queen's Hall Orchestra conducted by Adrian Boult on 29 September 1918. It includes the composer's own recordings made in 1922–1923 and 1926.
Masque; music for the play by Frances Ralph Gray Incidental music: 102: 27b: 1909: Stepney Children's Pageant: for orchestra: Incidental music: 102a: 27b: 1909: A Song of London: for unison chorus and piano: from the incidental music for Stepney Children's Pageant; words by G.K. Menzies Incidental music: 114: 1910: The Praise of King Olaf
The Manse in Thaxted, where Gustav Holst lived from 1917 to 1925 "Thaxted" is a hymn tune by the English composer Gustav Holst, based on the stately theme from the middle section of the Jupiter movement of his orchestral suite The Planets and named after Thaxted, the English village where he lived much of his life.
The poem circulated privately for a few years until it was set to music by Holst, to a tune he adapted from his Jupiter to fit the poem's words. It was performed as a unison song with orchestra in the early 1920s, and it was finally published as a hymn in 1925/6 in the Songs of Praise hymnal (no. 188).