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Dirty Rotten Imbeciles (often abbreviated and referred to as D.R.I.) is an American crossover thrash band that formed in Houston, Texas in 1982 and would later relocate to San Francisco, California. The band is currently composed of two of its founding members, lead vocalist Kurt Brecht and guitarist Spike Cassidy, as well as bassist Greg Orr ...
Before signing a record contract with Metal Blade Records in 1984, the band released their self-titled debut album in 1983 and the Violent Pacification EP a year later on the Dirty Rotten label. D.R.I. followed up with their second full-length album Dealing with It! in 1985, and Crossover two years later.
Crossover is the third album by the American crossover thrash band D.R.I., originally released in 1987.The genre "crossover" was coined from this release. On April 13, 2010, the album was re-released on vinyl, CD, and digital download as a remastered version with 11 bonus tracks, 6 of which were recorded live at the Ritz in New York City.
Dirty Rotten EP/LP is the 1983 debut release by the crossover thrash band Dirty Rotten Imbeciles. The album has a very gritty sound, and is considered one of the first thrashcore albums. Recording and release
Live is a live album by the Crossover Thrash, hardcore punk band, Dirty Rotten Imbeciles, recorded at the Hollywood Palladium in November 1992. Track listing
4 of a Kind is the fourth album by the American crossover thrash band D.R.I., which was released in 1988. The album features the song "Suit And Tie Guy", which had a music video made for it. It was the first D.R.I. song to get a video. [3]
Forget bad blood — bad words on Taylor Swift's albums before "The Tortured Poets Department" drastically increased since her 2006 eponymous debut, according to an unscientific Reddit chart.
Live at CBGB's 1984 is a live album by American crossover thrash band D.R.I., released in 2005. It features a live performance of the band at the famous music venue CBGB in New York City. The audio of the performance is very raw, and the quality drops significantly in the recording at around track 32