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The first recording of this work was released by Telarc on March 23, 2004 with a recording of Higdon's work City Scape (2002). [5] It was performed by the Atlanta Symphony Orchestra under the baton of Robert Spano. The track listing is as follows; Concerto For Orchestra. 1: I (8:04) 2: II (4:34) 3: III (10:31) 4: IV (5:36) 5: V (6:13) City Scape
Autumn Music; Ceremonies; Ceremonies Suite; Dark Wood; Dash; Music Box of Light; Piano Trio; Quiet Art; Scenes from the Poet's Dreams; Smash; Soliloquy; Sonata for Viola and Piano
Ranulf Higden or Higdon (c. 1280 –1363 or 1364) was an English chronicler and a Benedictine monk who wrote the Polychronicon, a Late Medieval magnum opus. Higden resided at the monastery of St. Werburgh in Chester after taking his monastic vow at Benedictine Abbey in Chester in 1299. Later in life he travelled to visit and counsel with King ...
He added, "Higdon uses the full resources of the orchestra to convey the splendour of mountains, motion of bodies of water and wonders of other natural phenomena." [ 2 ] Carlos María Solare of The Strad similarly wrote, "The kaleidoscopic variety of All Things Majestic , a four-movement suite inspired by the breathtaking landscapes of the ...
Allan Higdon (born 1947), mayor of Ottawa, Canada; Hal Higdon (born 1931), American writer and runner; Jennifer Higdon (born 1962), American composer and composition teacher. Karan Higdon (born 1996), American football player; Michael Higdon (born 1983), English footballer; Ranulf Higdon (1280–1364), English chronicler and monk
The Violin Concerto has been praised by music critics. Reviewing the New York City premiere, Allan Kozinn of The New York Times wrote, "Its big, exploratory opening movement is packed with quick, insistent solo lines and dialogues between the violin and either the full orchestra or individual sections or players; its lush, slow movement (here in the form of a chaconne) exploits the violin's ...
Machine has a duration of roughly 2 minutes and is composed in one short movement.Higdon described her inspiration for the piece in the score program notes, writing, "I wrote Machine as an encore tribute to composers like Mozart and Tchaikovsky, who seemed to be able to write so many notes and so much music that it seems like they were machines!"
The commercial Pulsator designed by Paul consisted of a belt worn around the patient's abdomen and lower thorax that was rhythmically filled with air from bellows being driven electrically. A gauge indicated the pressure being applied to the chest, and the rate of compression could be modified to suit the patient's breathing.