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"Daybreak's Bell" is the thirty-third single by L'Arc-en-Ciel, released on October 10, 2007. It also has a P'unk-en-Ciel track, "Natsu no Yuutsu [Sea in Blood 2007]", a remake of their fourth single "Natsu no Yuu-utsu [Time to say Good-bye]". It debuted at number 1 in the Oricon singles sales chart. [1]
In 1973, British duo Peters and Lee covered the song on their debut album We Can Make It. In 1994, a cover by Elton John, recorded in 1970, was released on the compilation album Chartbusters Go Pop. [12] In 2000, American singer Madeline Bell released her own cover of the song on her album Blessed. [13]
The lyrics of the song are written in six stanzas of seven verses each. Each of the stanzas shares the same one verse refrain "An' we gazed upon the chimes of freedom flashing". The symbolism of the lyrics makes repeat use of a dual metaphor of freedom represented by the chimes or tolling of a bell on the one hand, and the enlightenment ...
"Daydream Believer" is a song composed by American songwriter John Stewart shortly before he left the Kingston Trio. It was recorded by the Monkees , with Davy Jones singing the lead. The single reached No. 1 on the U.S. Billboard Hot 100 chart in December 1967, remaining there for four weeks, and peaked at No. 5 on the UK Singles Chart .
Morrison's lyrics are often deliberately vague, and this, coupled with the song's dreamlike atmosphere, [6] has led to speculation as to the meaning of "The Crystal Ship". ". According to Greil Marcus, the opening lines "Before you slip into unconsciousness, I'd like to have another kiss" could be about "sleep, it could be an overdose, inflicted by the singer or the person he's addressing; it ...
The show’s theme song, “I Found a Way,” was written and performed by Bell in 2003 — and the actor says the song’s lyrics speak to what he was going through at the time and provided a way ...
Wedding bell and allocation of roles: In the fourth observation the bell calls people to the wedding celebration which is the climax of the happy love affair, after which it makes place for family life. The stanza continues by describing a traditional family, with the man going out into a hostile world while at home the virtuous housewife prevails.
Helms received performance royalties from the single — Kleiman says "Bobby was a thankful man” — but he and Garland probably missed out on a sizable payday for their songwriting.