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Defensiveness is a reaction to pervasive criticism that often results in responding to criticism with more criticism, and sometimes contempt, and the second level of the Cascade Model. [ 3 ] [ 7 ] Defensiveness is a protective behavior and is indicated by shifting blame and avoiding responsibility, often in an attempt to defend against the ...
Relationship invocation involves using the relationship as a backdrop for a discussion of the transgression. For example, “We are too committed to this relationship to let it fail.”, or “Our relationship is so much better than any of my previous relationships.” Metatalk involves discussing the effect of the transgression on the ...
Commentators have often been critical of individual local practices and traditions, leading to historical changes. Examples include the early Catholic Church's efforts to eliminate concubinage and temporary marriage, the Protestant acceptance of divorce, and the abolition of laws against inter-faith and inter-race marriages in the western ...
Simone Biles is over people vaulting to conclusions when it comes to her relationship. Just days after the gymnast's husband, Jonathan Owens, drew backlash after calling himself the "catch" in ...
Yin and yang. Relational dialectics is the emotional and value-based version of the philosophical dialectic.It is rooted in the dynamism of the yin and yang.Like the classic yin and yang, the balance of emotional values in a relationship is constantly in motion, and any value pushed to its extreme, contains the seed of its opposite.
Nonhuman actors can be considered as members of moral and political associations. For example, noise is a nonhuman actor if the topic is applied to actor-network theory. [10] Noise is the criteria for humans to regulate themselves to morality, and subject to the limitations inherent in some legal rules for its political effects.
Critical theory is a social, historical, and political school of thought and philosophical perspective which centers on analyzing and challenging systemic power relations in society, arguing that knowledge, truth, and social structures are fundamentally shaped by power dynamics between dominant and oppressed groups. [1]
Aesthetic criticism is a part of aesthetics concerned with critically judging beauty and ugliness, tastefulness and tastelessness, style and fashion, meaning and quality of design—and issues of human sentiment and affect (the evoking of pleasure and pain, likes and dislikes).