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The outfit is standard: a pink cotton dress for girls, blue cotton for boys. When families are too poor to provide this garment, it is given. [35] 1887: France Paris: Les beaux jours de l'impératrice Marie-Louise, by Imbert de Saint-Amand, page 300, Paris: E. Dentu. (1887) La comtesse de Montesquiou, femme du plus haut mérite...
Date and time of data generation: 13:38, 4 March 2021: Lens used: EF24-105mm f/4L IS II USM: Serial number of camera: 112132001448: Date and time of digitizing
Girl in a Blue Dress, also called Portrait of a Girl Dressed in Blue [1] (Dutch: Portret van een meisje in het blauw) [2] or simply Portrait of a Girl [3] (Dutch: Portret van een meisje), [4] is an oil painting by Johannes Cornelisz Verspronck in the collection of the Rijksmuseum. [5]
La Parisienne (English: The Parisian) is an oil painting by the French artist Pierre-Auguste Renoir, completed in 1874 and now displayed at the National Museum Cardiff.The work, which was one of seven presented by Renoir at the First Impressionist Exhibition in 1874, is often referred to as The Blue Lady (French: La Dame en Bleu) and is one of the centre-pieces of the National Museum's art ...
Before the opening ceremonies kicked off, Kelly shared a video wearing the official Team U.S.A. jacket. She wrote, "On my way to the opening ceremony!
In one of her hands she holds a brown fur muff, perhaps a present from Vienna. The young girl, who is presented as pretty and appealing, has a pale countenance which is enhanced by the blue and silver tones. In the background, there is a high console table with a round mirror behind it.
An optical illusion of relative size perception. The two black circles are exactly the same size; however, the one on the left seems larger. Disappearing Model: A trompe-l'œil body painting by Joanne Gair. The dress: An optical illusion resulting from the brain's attempt to discount coloured tinting from daylight and other sources. [1]
The interface that constitutes this canvas must therefore be considered as a "one-way mirror" in which each of the protagonists of this representation looks at themselves, and behind which the monarch invests divine power, and his wife, can at leisure and in complete discretion to contemplate their life's work, their "Family", in the broadest ...