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[1] [2] Most music stands for orchestral, chamber music or solo orchestra-family instruments (violin, oboe, trumpet, etc.) can be raised or lowered to accommodate seated or standing performers, or performers of different heights. Many types of keyboard instruments have a built-in or removable music rack or stand where sheet music can be placed.
The smallest pitch difference between notes (in most Western music) (e.g. F–F ♯) (Note: some contemporary music, non-Western music, and blues and jazz uses microtonal divisions smaller than a semitone) semplice Simple sempre Always sentimento Feeling, emotion sentito lit. "felt", with expression senza Without senza misura Without measure ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Hamilton Stands Inc. is a musical instrument accessories manufacturing company founded in 1883 and based in Middletown, Ohio. The company is currently owned by St. Louis Music. [1] Hamilton is most famous for their wide variety of music stands (from light, fold-up types to rugged, near-permanent ones), used by musicians and music students ...
Zero-offset boom stands. Multiple boom stands. The hi-hat stand is a stand for supporting and operating a pair of clash cymbals; The term cymbal stand in English does not normally include this specialised stand. As well as cymbals, cymbal stands are used to support many other small percussion instruments, and accessories such as practice pads.
The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. Kennedy, Michael. 2006. "Sprechgesang, Sprechstimme". The Oxford Dictionary of Music, second edition, Joyce Bourne, associate editor. Oxford and New York: Oxford University Press.