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The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
An early version of "The Welcome Table" song in Hampton and Its Students (1874) indicating it was sung by a child who was separated from his mother in slavery. The Welcome Table (also known as the I'm Gonna Sit at the Welcome Table, or River of Jordan, or I'm A-Gonna Climb Up Jacob's Ladder or God's Going to Set This World on Fire) [1] is a traditional American gospel and African American folk ...
The Seventh-day Adventist Hymnal is the official hymnal of the Seventh-day Adventist Church and is widely used by English-speaking Adventist congregations. It consists of words and music to 695 hymns including traditional favorites from the earlier Church Hymnal that it replaced, American folk hymns, modern gospel songs, compositions by Adventists, contemporary hymns, and 224 congregational ...
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
"Come, Thou Long Expected Jesus" was the first of a number of Wesley's hymns that became known as the "Festival hymns". These "Festival hymns" were published outside of Methodism by German, John Frederick Lampe in 1746. [7] The hymn came into popular knowledge across Christian denominations in England via popular Baptist preacher, Charles Spurgeon.
In 1948, a new hymnbook that replaced both the Latter-day Saint Hymns (1927) and the Deseret Sunday School Songs was published under the title Hymns: The Church of Jesus Christ of Latter-day Saints and served as the official hymnbook of The Church of Jesus Christ of Latter-day Saints from 1948 to 1985. The 1948 edition included 387 hymns.
Jesus Paid It All (also known as Fullness in Christ and I hear the Saviour say and Christ All and in All) is a traditional American hymn about the penal substitutionary atonement for sin by the death of Jesus. The song references many Bible verses, including Romans 5 ("Jesus' sacrifice gives life") and Isaiah 1:18 ("a crimson flow"). [1]
Picardy is a hymn tune used in Christian churches, based on a French carol; it is in a minor key and its meter is 8.7.8.7.8.7. [1] Its name comes from the province of France from where it is thought to originate. [2] The tune dates back at least to the 17th century, and was originally used for the folk song "Jésus-Christ s'habille en pauvre".