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Rosi Braidotti (/ b r aɪ ˈ d ɒ t i /; born 28 September 1954) is a contemporary philosopher and feminist theoretician. Born in Italy, she studied in Australia and France and works in the Netherlands.
The term was independently coined by Manuel DeLanda and Rosi Braidotti during the second half of the 1990s to identify an emerging body of interdisciplinary theory that sought to overcome the post-structuralist emphasis on discourse, while drawing on the work of Gilles Deleuze, Félix Guattari, and Gilbert Simondon in seeking to establish a materialist ontology that prioritizes processes of ...
Nomadland is a 2020 American drama film directed, written, and edited by Chloé Zhao.Based on the 2017 non-fiction book Nomadland: Surviving America in the Twenty-First Century by Jessica Bruder, it stars Frances McDormand as a woman who leaves home to travel around the American West.
Nina Lykke and Rosi Braidotti, eds. Monsters, Goddesses and Cyborgs: Feminist Confrontations with Science, Medicine and Cyberspace. London: Zed Books, 1996. ISBN 978-1-85649-382-6; Humberto Maturana and Bernhard Pörksen. From Being to Doing: The Origins of the Biology of Cognition. Trans. Wolfram Karl Koeck and Alison Rosemary Koeck.
In critical theory, the posthuman is a speculative being that represents or seeks to re-conceive the human.It is the object of posthumanist criticism, which critically questions humanism, a branch of humanist philosophy which claims that human nature is a universal state from which the human being emerges; human nature is autonomous, rational, capable of free will, and unified in itself as the ...
Nomadland: Surviving America in the Twenty-First Century is a 2017 nonfiction book by American journalist Jessica Bruder about the phenomenon of older Americans who, following the Great Recession from 2007 to 2009, adopted transient lifestyles traveling around the United States in search of seasonal work (vandwelling).
In his lectures at the Collège de France, Foucault often defines governmentality as the "art of government" in a wide sense, i.e. with an idea of "government" that is not limited to state politics alone, that includes a wide range of control techniques, and that applies to a wide variety of objects, from one's control of the self to the "biopolitical" control of populations.
At the time of her birth, Naomi Schor's Polish-born parents Ilya and Resia Schor were artists who had recently immigrated to the US as refugees from war-torn Europe. [1] Ilya Schor was a painter, jeweler and artist of Judaica, [1] and Resia Schor was a painter who later worked in silver and gold and mixed media on sculptural jewelry and Judaica.