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The Lennon Sisters are an American vocal group that has been made up, at one time or another, of three or four sisters. The quartet originally consisted of Dianne (a.k.a. DeeDee; born Dianne Barbara, December 1, 1939), Peggy (born Margaret Anne, April 8, 1941), Kathy (born Kathleen Mary, August 2, 1943), and Janet (born Janet Elizabeth, June 15, 1946).
The band was formed in started in Venice, California in 1977 by cousins Michael Lennon) and Kipp Lennon. [1] Michael's brother Mark joined the band in 1978, followed by Kipp's brother Pat in 1980. Kipp and Pat are two of eleven siblings, and are younger brothers of the Lennon Sisters. Michael and Mark are two of thirteen siblings. [2]
"Shake Me I Rattle" was originally recorded by American traditional pop vocal group The Lennon Sisters. The song was first composed by Hal Hackady and Charles Naylor. The sister trio recorded the track in 1957 in sessions produced by Lawrence Welk.
5/5 Sorry Swifties, hard luck Elton, in your face Sphere – this is the musical event of the year and one of the greatest tear-jerkers in history
Bahler and his brother Tom were vocalists in the Ron Hicklin Singers.Together with the Wrecking Crew, they are two of the most recorded singers in history, having appeared on hundreds of television show themes, movie soundtracks, top-40 hits (singing lead and backup), and commercial jingles of the 1960s through the 1980s.
Sean Ono Lennon has assumed the mantle of managing his family’s singular musical legacy. A deeply moving 11-minute animated short called War Is Over!, earned an Academy Award in March. The ...
John Lennon left behind a huge musical legacy when he died in 1980, as well as two sons: Julian Lennon and Sean Ono Lennon. ... when he played the drums on a remake of Lee Dorsey’s “Ya Ya ...
It was also recorded in 1956 by Lawrence Welk with The Lennon Sisters, and by the duo of Karen Chandler and Jimmy Wakely. Kay Starr recorded a searingly original version in the early 1950s, dispensing with the sentimentality of other recordings and transforming the song into a scorching anthem of self-destructive vengeance.