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In Western art, fungi have been historically connoted with negative elements, whereas Asian art and folk art are generally more favorable towards fungi. British mycologist William Delisle Hay, in his 1887 book An Elementary Text-Book of British Fungi, [1] [2] describes Western cultures as being mycophobes (exhibiting fear, loathing, or hostility towards mushrooms).
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Mushrooms have been found in art traditions around the world, including in western and non-western works. [1] Ranging throughout those cultures, works of art that depict mushrooms can be found in ancient and contemporary times. Often, symbolic associations can also be given to the mushrooms depicted in the works of art.
The popularly called Tassili mushroom figures are Neolithic petroglyphs and cave paintings discovered in Tassili n'Ajjer, Algeria, which contain features resembling mushrooms. Hypothesized to date back to 7000–5000 BC, they are considered by some researchers to be figures that have shamanic connotations and one of the strongest pieces of ...
A drawing on the lower side of the sporocarp of G. applanatum. A peculiarity of this fungus lies in its use as a drawing medium for artists. [13] When the fresh white pore surface is rubbed or scratched with a sharp implement, dark brown tissue under the pores is revealed, resulting in visible lines and shading that become permanent once the fungus is dried.
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The mushroom is stalkless and the cap is rust-brown or darker brown, sometimes with black zones. The cap is flat, up to 8 × 5 × 0.5–1 cm in area. It is often triangular or round, with zones of fine hairs. The pore surface is whitish to light brown, with pores round and with age twisted and labyrinthine. 3–8 pores per millimeter.