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The Critique of Judgment (German: Kritik der Urteilskraft), also translated as the Critique of the Power of Judgment, is a 1790 book by the German philosopher Immanuel Kant. Sometimes referred to as the "third critique", the Critique of Judgment follows the Critique of Pure Reason (1781) and the Critique of Practical Reason (1788).
In the second Critique [113] Kant similarly introduces the typus as needed to mediate between reason’s moral law and understanding….In the Critique of Judgment,… Kant justifies his treatment of judgment as…a cognitive power in its own right partly by showing how it mediates between the other two higher cognitive powers, understanding ...
In the Critique of Pure Reason, Kant claimed that the understanding was the ability to judge. The forms of judgments were said to be the basis of the categories and all philosophy. But in his Critique of Judgment, he called a new, different ability the faculty of judgment. That now resulted in four faculties: sensation, understanding, judging ...
Kant gives his first definition of an end in Critique of Aesthetic Judgement: “an end is the object of a concept [i.e. an object that falls under a concept] insofar as the latter [the concept] is regarded as the cause of the former [the object] (the real ground of its possibility).”(§10/220/105). [5]
The Doctrine of Virtue further develops Kant's ethical theory, which he had already laid the foundation in the Groundwork of the Metaphysics of Morals (1785) and the Critique of Practical Reason. It develops Kant’s conception of virtue and expositions of particular ethical duties we have as rational human beings.
Kant's antinomies are four: two "mathematical" and two "dynamical". They are connected with (1) the limitation of the universe in respect of space and time, (2) the theory that the whole consists of indivisible atoms (whereas, in fact, none such exist), (3) the problem of free will in relation to universal causality, and (4) the existence of a necessary being.
Kantian ethics is deontological, revolving entirely around duty rather than emotions or end goals.All actions are performed in accordance with some underlying maxim or principle, which are vastly different from each other; it is according to this that the moral worth of any action is judged.
[10] Kant argues for these several claims in the section of the Critique of Pure Reason entitled the "Transcendental Aesthetic". That section is devoted to inquiry into the a priori conditions of human sensibility, i.e. the faculty by which humans intuit objects. The following section, the "Transcendental Logic", concerns itself with the manner ...