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This would be Grover's last album produced by Creed Taylor. A reviewer at Dusty Groove stated "A totally great Grover Washington record – and with 25 years behind us, we really now realize how fantastic all the early Kudu sessions really were! The record was recorded live at the Bijou, and is spread out over 2 long LPs, with lots of room for ...
Grover Washington Jr. (December 12, 1943 – December 17, 1999) [1] [2] was an American jazz-funk and soul-jazz saxophonist and Grammy Award winner. Along with Wes Montgomery and George Benson , he is considered by many to be one of the founders and legends of the smooth jazz genre. [ 3 ]
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Thom Jurek of AllMusic stated: "This is an amazing debut in so many ways, and it was followed by a run of albums for the label through the end of the '70s when Washington left for Elektra. Inner City Blues remains standing today as a landmark and a turning point in jazz."
Scott Yanow of AllMusic wrote: "This is one of Grover Washington Jr.'s occasional strays away from R&B-oriented jazz to play in a more straightahead setting. Switching between soprano, alto and tenor, Grover is accompanied by either Tommy Flanagan or Herbie Hancock on piano during five of the eight selections and he performs such numbers as Ron Carter's 'Blues for D.P.', 'Stolen Moments' and ...
All My Tomorrows is a studio album by American jazz saxophonist Grover Washington Jr. The album was released in 1994 on Columbia Records label. The album is his fifth for Columbia and twenty-fourth overall as a leader; also this is his first all-acoustic record.
A Secret Place is the sixth album by jazz saxophonist Grover Washington Jr. and his last studio album for Kudu Records. The album topped the Billboard Jazz Albums chart and reached number seven on the Soul Albums chart in 1977.
Burrell and Washington proved to be a fine pairing -- a subtle, effective jazz partnership". [3] A reviewer of Dusty Groove noted "Grover Washington Jr on Blue Note – but sounding really great here in the company of guitarist Kenny Burrell – very much back to the more basic reed work of his roots, and away from some of the smoother settings ...