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The "Billie Jean" music video debuted on March 10, 1983, on MTV. [74] It brought MTV—until then a fairly new and unknown music channel—to mainstream attention. It was one of the first videos by a black artist to be aired regularly by the channel, as the network's executives felt black music was not " rock " enough. [ 75 ]
"Billie Jean" is a song by the American singer Michael Jackson, released by Epic Records on January 3, 1983, as the second single from his sixth studio album, Thriller (1982). It was written and composed by Jackson, produced by Quincy Jones, and co-produced by Jackson. "Billie Jean" blends post-disco, R&B, funk, and dance-pop. The lyrics ...
"Billie Jean" 2011: Barton Hollow: The Unseen "Beat It" 1999: So This Is Freedom? The Impossibles "Ben" 1999: Anthology [83] The Lost Fingers "Billie Jean" 2008: Lost in the 80s: Three Days Grace "Give In to Me" 2012: Transit of Venus: The Bates "Billie Jean" 1995: Billie Jean: Tuck Andress "Man in the Mirror" 1990: Reckless Precision [84 ...
Jackson's sixth album, Thriller, was released in November 1982 and spent months at the top of the Billboard 200, backed by successful videos for the singles "Billie Jean" and "Beat It". In July 1983, after Thriller was displaced from the top of the chart, Jackson's manager, Frank DiLeo , suggested making a music video for "Thriller".
The May 16, 1983 broadcast was produced and directed by Don Mischer, who has helped orchestrate other historic moments over the years, including the opening ceremony for the 1996 Olympic Games ...
Motown 25: Yesterday, Today, Forever is a 1983 television special, produced by Suzanne de Passe for Motown (founded in January 1959), to commemorate its 25th anniversary. The program was taped before a live audience at the Pasadena Civic Auditorium in Pasadena, California on March 25, 1983, [1] and broadcast on NBC on May 16.
The album Thriller was released in November 1982 on Epic Records and spent months at the top of the Billboard 200. [15] "Thriller" was not initially planned for release as a single, as Epic saw it as a novelty song. [16] The Epic executive Walter Yetnikoff asked: "Who wants a single about monsters?" [15] By mid-1983, sales of the album had ...
"Billie Jean" and "Beat It" occupied top 5 positions at the same time, a feat matched by very few artists. The single remained at the top of the Hot 100 for a total of three weeks. [8] The song also charted at No. 1 on the US R&B singles chart and No. 14 on the Billboard Top Tracks chart in the US. [9] Billboard ranked it at the No. 5 song for ...