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Henrique Oswald (1852–1931): Trois Etudes pour piano, plus three independent études; Rafael Joseffy (1852-1915): School of Advanced Piano Playing; Moritz Moszkowski (1854–1925): three concert studies (Op. 24), Ecole des doubles notes (Op. 64), 15 Études de Virtuositié (Op. 72), 12 studies for the left hand alone (Op. 92), and 20 technical studies (Op. 91).
Some cello etudes, while focusing on cello techniques, also focus on musical ideas. Some rise to the level of performance pieces. However, it is rare to find cello etudes programmed in recital. The last set of cello etudes which had such universal cellistic appeal was the "High School of Cello Playing" written by David Popper (1843–1913). [2]
The last famous set of cello etudes to be published were the David Popper "High School of Cello Playing" which were published almost a hundred years previously. In the introduction to "Ten American Cello Etudes", Minsky speaks about how in the past composers were able to bend music in order to reflect their time period and country.
Ten American Cello Etudes; This page was last edited on 13 June 2013, at 22:49 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
Elegy for solo cello (1988) Yevgeny Golubev. 2 Etudes for solo cello, Op. 46 (1961) Concert Aria for solo cello (1961) Leonid Grabovsky (Hrabovsky) Hlas I (1990) Voices for solo cello (1990) Olivier Greif. Solo from Nô, Op. 154, for Christoph Henkel (1981) for solo cello [13] [14] Jorge Grundman. Terezin Through the Eyes of the Children for ...
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