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Paintings based on Hamlet (1599-1601) by William Shakespeare. Pages in category "Paintings based on Hamlet " The following 5 pages are in this category, out of 5 total.
Paintings based on Hamlet (5 P) Pages in category "Paintings based on works by William Shakespeare" The following 18 pages are in this category, out of 18 total.
Ophelia is a 1894 oil on canvas painting by the English painter John William Waterhouse, [1] depicting a character in William Shakespeare's drama Hamlet.She is a young noblewoman of Denmark, a potential wife for Prince Hamlet.
The painting has been widely referred to and pastiched in art, film, and photography, notably in Laurence Olivier's 1948 film Hamlet, where it formed the basis for the portrayal of Ophelia's death. The sleeve of the 1971 psychedelic folk album Beautiful Lies You Could Live In by Tom Rapp and Pearls Before Swine reproduces the painting. [13]
The River Bank (Ophelia) is a 1980 painting by the English painter David Inshaw. The subject is from William Shakespeare's play Hamlet. It was made for a joint exhibition of the Brotherhood of Ruralists, where each artist made his own interpretation of the subject. Since 2015 it belongs to the Victoria Art Gallery in Bath, Somerset.
In Jasper Fforde's novel Something Rotten (2004) Ophelia tries to take over the play during Hamlet's excursion to the real world. [6] Ophelia by Lisa Klein tells the story of Hamlet from Ophelia's point of view. [7] In Paul Griffiths' novel let me tell you (2008) Ophelia tells a narrative using only her words from Hamlet, rearranged.
The image can be interpreted as a question of choosing the right way and the future fate of the homeland, entering a new century. This dilemma clearly refers to the title character of Hamlet, William Shakespeare's drama and his life choice, as highlighted in the title of the work. Aleksander Wielopolski is an example of the person making the ...
Young Man with a Skull is an oil on canvas painting by the Dutch Golden Age painter Frans Hals, created in 1626-1628, now in the National Gallery, in London.The painting was previously thought to be a depiction of Shakespeare's Hamlet holding the skull of Yorick, but is now considered to be a vanitas, a reminder of the precarious nature of life and the inevitability of death.