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Monotype Modern, a nineteenth-century text face, next to Haas Clarendon Bold, a display face. Both fonts show classic nineteenth-century design features, for instance on the 'Q', 'R', 'r', 'a' and 'c'. However, the Clarendon is much wider with a higher x-height, and contrast between thick and thin strokes has been reduced.
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This was known as "French Clarendon" type. [54] [55] The advantage of French Clarendon type was that it allowed very large, eye-catching serifs while the letters remained narrow, suiting the desire of poster-makers for condensed but very bold type. [56] French Clarendon designs were often created in wood type, used for large-print letters on ...
This list of samples of serif typefaces details standard serif fonts used in printing, classical typesetting and ... Clarendon Designer: Robert Besley Class: Slab serif :
Fallback font (freeware fallback font for Windows) Free UCS Outline Fonts aka FreeFont (free/open source, "FreeSerif" includes 3,914 glyphs in v1.52, MES-1 compliant) Gentium (free/open source, "Gentium Plus" includes over 5,500 glyphs in November 2010) GNU Unifont (free/open source, bitmapped glyphs are inclusive as defined in unicode-5.1 only)
This includes the four traditional styles of font (regular, italic, bold, bold italic), and also: CMU Serif upright italic, an upright italic style similar to cursive upright handwriting; CMU Serif bold non-extended, a bold weight duplexed to have the same width as the regular style; CMU Serif roman and bold slanted, two oblique styles
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Slab serifs form a large and varied genre. Some such as Memphis and Rockwell have a geometric design with minimal variation in stroke width: they are sometimes described as sans-serif fonts with added serifs. Others such as those of the Clarendon genre have a structure more like most other serif fonts, though with larger and more obvious serifs.