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Quintet for flute, harp and string trio, Op. 2 (1948) Sonata for clarinet and harp (1984) Second Sonata for flute and harp; Adage for trumpet and harp; Claude Debussy. Music for Chansons de Bilitis for two flutes, two harps, and celesta, L. 96 (1900-1) Danses sacrée et profane for harp and string quintet, L. 103 (1904)
Duodecet for strings (1976) James Dillon. Introitus, for twelve strings (6 violins, 2 violas, 2 violoncellos, and 2 double basses), tape, and live electronics (1993) Helmut Eder. Concerto a dodici per archi, Op. 38 (1964) György Ligeti. Ramifications, for string orchestra or 12 solo strings (pub. 1970) Bogusław Schaeffer.
string orchestra, harp, percussion 21' Edward B. Marks Music Company Naxos Peter Paul Fuchs: Fantasy 1974 strings 12' Belwin & Mills Peter Paul Fuchs Partita concertante, op. 43 1981 strings 10' Anis Fuleihan: Le cor anglais s'amuse 1969 orchestra Raphael Fusco: Capriccio Concertante 2007 orchestra Kenji Fusé: Elegy 1998 strings John Linton ...
Dances for Harp and String Orchestra, in full in the original, Danses pour harpe chromatique avec accompagnement d'orchestre d'instruments à cordes (Dances for chromatic harp with string orchestra accompaniment), is a 1904 work by Claude Debussy. There are two sections: Danse sacrée and Danse profane, and the work is sometimes billed ...
Capriccio for Harp and String Orchestra; Capriol Suite; Celtic Voices and Hale Bopp; Concerto for Double String Orchestra (Tippett) Concerto for Piano and String Orchestra; Concerto for Piano, Violin and Strings (Mendelssohn) Concerto for Two Violins (Bach) Concerto for Two Violins and String Orchestra (Arnold) Concerto for Violin and Strings ...
The popularity of Music for Strings, Percussion and Celesta is demonstrated by the use of themes from this work in films and popular music. The second movement accompanies "Craig's Dance of Despair and Disillusionment" in the film Being John Malkovich. The Adagio was used as the theme music for The Vampira Show (1954–55).
The triple harp's string set consists of two identical outer rows of standard diatonicly tuned strings (same as a double-harp) with a third set of strings between them tuned to the missing chromatic notes. The strings are spaced sufficiently for the harpist to reach past the outer row and pluck an inner string when a chromatic note is needed.
"The instrumentation being clarinet with strings, harp, and piano, I did not have a large battery of percussion to achieve jazzy effects, so I used slapping basses and whacking harp sounds to simulate them. The Clarinet Concerto ends with a fairly elaborate coda in C major that finishes off with a clarinet glissando – or "smear" in jazz lingo."