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Wolfgang Amadeus Mozart (1756–1791) was a prolific composer who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets.
Playbill for the opening performance of Die Zauberflöte, 30 September 1791. Wolfgang Amadeus Mozart's operas comprise 22 musical dramas in a variety of genres. [a] They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity.
Wolfgang Amadeus Mozart [a] [b] (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period.Despite his short life, his rapid pace of composition and proficiency from an early age resulted in more than 800 works representing virtually every Western classical genre of his time.
As Mozart's letters show, he was very pleased to have achieved such a success. Solomon continues: Mozart's delight is reflected in his last three letters, written to Constanze, who with her sister Sophie was spending the second week of October in Baden. "I have this moment returned from the opera, which was as full as ever", he wrote on 7 ...
These two works, one the first minor-key concertos Mozart wrote (both K. 271 and 456 have a minor-key second movement) and a dark and stormy work, and the other sunny, are among Mozart's most popular. The final concerto of the year, K. 482 (No. 22 in E ♭ major), is slightly less popular. Mozart is not known to have written cadenzas for these ...
Mozart's one-act Singspiel was set to a parody of Rousseau's Le devin du village. [32] 1770 Mitridate, re di Ponto (Mozart). Composed when Mozart was 14, Mitridate was written for a demanding cast of star singers. [32] 1772 Lucio Silla (Mozart). from Mozart's teenage years, was not revived until 1929 after its initial run of 25 performances. [32]
This is a list of solo piano pieces by Wolfgang Amadeus Mozart. [1] Pieces. Sonatas. Piano Sonata No. 1 in C major, K. 279/189d (Munich, Autumn 1774)
Of the piece as a whole, he wrote that "It is the greatest orchestral work of the world which preceded the French Revolution". [9] The four-note theme is a common plainchant motif which can be traced back at least as far as Thomas Aquinas's "Pange lingua gloriosi corporis mysterium" from the 13th century. [10] It was very popular with Mozart.