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On the Decay of the Art of Lying" is a short essay written by Mark Twain in 1880 for a meeting of the Historical and Antiquarian Club of Hartford, Connecticut. Twain published the text in The Stolen White Elephant Etc. (1882). [1] [2] In the essay, Twain laments the four ways in which men of America's Gilded Age employ man's 'most faithful ...
In this essay, arguing against the position of Benjamin Constant, Des réactions politiques, Kant states that: [2]. Hence a lie defined merely as an intentionally untruthful declaration to another man does not require the additional condition that it must do harm to another, as jurists require in their definition (mendacium est falsiloquium in praeiudicium alterius).
Wilde presents the essay as a Socratic dialogue between two characters, Vivian and Cyril, who are named after his own sons. [1] Their conversation, while playful and whimsical, promotes Wilde's view of Aestheticism over Realism. [2] [3] Vivian tells Cyril of an article he has been writing called "The Decay of Lying: A Protest". According to ...
Frankfurt originally published the essay "On Bullshit" in the Raritan Quarterly Review in 1986. Nineteen years later, it was published as the book On Bullshit (2005), which proved popular among lay readers; the book appeared for 27 weeks on The New York Times Best Seller list [3] and was discussed on the television show The Daily Show With Jon Stewart, [4] [5] as well as in an online interview.
The origin of the phrase "Lies, damned lies, and statistics" is unclear, but Mark Twain attributed it to Benjamin Disraeli [1] "Lies, damned lies, and statistics" is a phrase describing the persuasive power of statistics to bolster weak arguments, "one of the best, and best-known" critiques of applied statistics. [2]
While the political pundits who spew lies and misinformation are dangerous to democracy on their own, the elected leaders and candidates who parrot these same destructive talking points should be ...
The Duke of Sussex addressed leaks from his new memoir, "Spare," for the very first time as he spoke to Stephen Colbert on "The Late Show."
The film’s ending is a departure from Alam’s novel, which finishes with Rose gathering supplies from the house before presumably returning to her family.
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