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Onna-musha (女武者) is a term referring to female warriors in pre-modern Japan, [1] [2] who were members of the bushi class. They were trained in the use of weapons to protect their household, family, and honour in times of war; [ 3 ] [ 4 ] many of them fought in battle alongside samurai men.
Kuniyoshi, a famous printmaker, specialized in warrior images and produced a series of prints known as the 108 Heroes of the Suikoden. [1] [2] During the late Edo period, censorship laws passed by the Tokugawa Shogunate made the creation of musha-e more difficult. Artists and publishers therefore often changed the names of characters or events ...
Hangaku Gozen, woodblock print by Tsukioka Yoshitoshi, c. 1885 . Lady Hangaku (坂額御前, Hangaku Gozen) [1] was a onna-musha warrior, [2] [3] one of the relatively few Japanese warrior women commonly known in history or classical literature.
Masanobu was famous for capturing the beauty of nature. He painted and drew birds, women, men, actors, and warriors. The Japanese women he draws have the same style and ‘boneless’ structure. The faces show; however, the bodies are covered by long, flowing dresses. This style is referred to as tan-e: drawing women as full-bodied and round ...
However, he was the oldest pupil of Utagawa Kuniyoshi [2] who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners . [3] He may not have seen any of the foreign scenes he depicted. [4] Yoshitora was prolific: he produced over 60 print series and illustrated over 100 books.
Kunoichi (Japanese: くノ一, also くのいち or クノイチ) is a Japanese term for "woman" (女, onna). [1] [2] In popular culture, it is often used for female ninja or practitioner of ninjutsu (ninpo). The term was largely popularized by novelist Futaro Yamada in his novel Ninpō Hakkenden (忍法八犬伝) in 1964. [1]
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Fujin Sōgaku Jittai (婦人相学十躰, "Ten physiognomies of women") and Fujo Ninsō Juppin (婦女人相十品, "Ten classes of women's physiognomy") are the titles of what may have been two series of ukiyo-e prints designed by the Japanese artist Utamaro and published c. 1792–93. Only five prints from one series and four from the other ...