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The town was founded by Raja Bhupat Pal sometime in 1635. It was known for the palaces which are now in ruins and GI tagged Pahari miniatures paintings (the Basohli school of Pahari painting). Basohli is known for its unique 'Basohli Paintings'. In the late 17th century, Basohli emerged as a great centre of Pahari paintings. According to well ...
Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...
Indian miniature paintings are a class of paintings originating from India. [1] Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed.
Among the collections are the Rasmanjari series of the famed Basohli miniature paintings and some rare manuscripts like the beautifully illustrated Shahnama and Sikandernama in Persian. Terracotta heads from Akhnoor , Sculptures, numismatics, manuscripts, Dogra costumes, jewellery, arms and armours, metal objects and artifacts related to ...
Original – Pahari painting depicting the Trimurti worshipping Bhadrakali after she slays Mahishasura, Basohli, Jammu, c. 1660–1670 CE Reason Originally nominated in 2013, failed due to faulty EV resulting from improper placing and captioning; I've made changes which I believe improve the EV. FP on commons. Articles in which this image ...
Miniatures from the Caurapañcāśik ... Archer has thought that series is an offshoot of Basohli painting, but at the same time, he noticed some distinctive features ...
Unusually for Pahari painting, some are dated. [7] There are at least two self-portraits, one from early in his career, and the other in a group scene with Balwant Singh, who is looking at a miniature, with the artist seated below him. Nainsukh peers over the raja's shoulder, perhaps offering his comments on the work, or ready to do so. [8] '
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