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Canada's fashion economy includes numerous clothing and accessory brands (such as Arc'teryx and Lululemon), department stores (such as the historical Hudson's Bay Company and Holt Renfrew), various annual and semi-annual industry events in Vancouver, Edmonton, Toronto, Ottawa, and Montreal, fashion magazines (such as Elle Canada and Fashion ...
Traditional Inuit clothing is a complex system of cold-weather garments historically made from animal hide and fur, worn by Inuit, a group of culturally related Indigenous peoples inhabiting the Arctic areas of Canada, Greenland, and the United States.
The intersection between traditional Inuit clothing and the non-Inuit or "Southern" fashion industry has often been contentious. Inuit seamstresses and designers have described instances of non-Inuit designers making use of traditional Inuit design motifs and clothing styles without obtaining permission or giving credit.
Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress.
Finally, the traditional cuisines of French Canada have evolved from 16th-century French cuisine because of the tough conditions of colonial life and the winter provisions of Coureur des bois. [219] With subsequent waves of immigration in the 18th and 19th century from Central, Southern, and Eastern Europe, and then from Asia, Africa and ...
The River Road by Cornelius Krieghoff, 1855 (Three habitants wearing capotes). A capote (French:) or capot (French:) is a long wrap-style wool coat with a hood.. From the early days of the North American fur trade, both indigenous peoples and European Canadian settlers fashioned wool blankets into "capotes" as a means of coping with harsh winters. [1]
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For example, the Igloolik Research Centre in Nunavut, Canada, archives interviews with Inuit elders to preserve their traditional knowledge, including information about traditional clothing production techniques. [20] In the 1980s, Driscoll-Engelstad travelled to museums in Europe and Canada with Inuit seamstresses to study historical garments.