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40-card stripped decks lacking the 8s, 9s, and 10s are the most common format found in Italy today. This is the result of popular 16th and 17th century games like Primero and Ombre. From the second half of the twentieth century, some Italian manufacturers have added a pair of Jokers but not to stripped decks.
Trionfi (Italian: [triˈoɱfi], ' triumphs ') are 15th-century Italian playing card trumps with allegorical content related to those used in tarocchi games. The general English expression "trump card" and the German "trumpfen" (in card games) have developed from the Italian "Trionfi". Most cards feature the personification of a place or ...
A 44, Sol (The Sun), from the E-series. The Mantegna Tarocchi, also known as the Tarocchi Cards, Tarocchi in the style of Mantegna, Baldini Cards, are two different sets each of fifty 15th-century Italian old master prints in engraving, by two different unknown artists. The sets are known as the E-series Tarocchi Cards and the S-series Tarocchi ...
Minchiate. Minchiate is an early 16th-century card game, originating in Florence, Italy. It is no longer widely played. Minchiate can also refer to the special deck of 97 playing cards used in the game. The deck is closely related to the tarot cards, but contains an expanded suit of trumps.
Primero. Primero (in English also called Primus, in French Prime, in Italian Primiera or in Spanish Primera), is a 16th-century gambling card game of which the earliest reference dates back to 1526. Primero is closely related to the game of primo visto (a.k.a. prima-vista, and various other spellings), if not the same.
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Visconti-Sforza Tarot. The Visconti-Sforza Tarot is used collectively to refer to incomplete sets of approximately 15 decks from the middle of the 15th century, now located in various museums, libraries, and private collections around the world. No complete deck has survived; rather, some collections boast a few face cards, while some consist ...
v. t. e. Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) [n 1] was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. [1]