Search results
Results From The WOW.Com Content Network
Duet for One is a 1986 British drama film adapted from the play, a two-hander by Tom Kempinski, about a world-famous concert violinist named Stephanie Anderson who is suddenly struck with multiple sclerosis. [3] It is set in London, and directed by Andrei Konchalovsky.
Thomas Michael John Kempinski (24 March 1938 – 2 August 2023) was an English playwright and actor [1] best known for his 1980 play Duet for One, which was a major success in London and New York City, and much revived since. Kempinski also wrote the screenplay for the film version of Duet for One. [2]
Made the world premiere recording of the two-piano arrangement of Grieg's Concerto in A minor, written by Grieg and Károly Thern. Also the first recording of Grieg's piano version of the "Homage March" from Sigurd Jorsalfar. [12] They have recorded the piano duet version of Chopin's 2nd Piano Concerto in F minor (arr. Chopin and Carl Mikuli ...
Concerto for Piano Duet and Strings, Op. 32 (1951) Concerto for Phyllis and Cyril , Op. 104 (1969), for 3 hands at 2 pianos (one pianist plays with both hands, the other with only one hand) Fantasy on a Theme of John Field , Op. 116
Paganiana: variations for piano four-hands (1968) [1] Emmanuel Chabrier (1841–1894) Pas redoublé (Cortège burlesque) (1881) Prélude et marche française (1885) Souvenirs de Munich, Quadrille sur les thèmes favoris de Tristan et Isolde de Richard Wagner (1887) Muzio Clementi (1752–1832) 3 Duets, Op. 3, No. 1-3 (1779) Duet, Op. 6, No. 1 ...
Given the prominence of the instrument in Brouwer's oeuvre, his works for guitar solo, guitar ensembles, as well as guitar concertos, are all placed in a separate category. However, pieces which include guitar as part of a mixed ensemble, and ones for guitar and tape, are placed into the chamber music category.
SPOILER ALERT: Do not read if you have not yet watched “Bloody Celestial Karaoke Jam,” the 10th episode of the fifth season of “Lucifer,” streaming now on Netflix. After seasons of one-off ...
The initial critical response to the show was resoundingly negative. Critics savaged Lerner's book while largely praising Bernstein's score. [3] Only Patricia Routledge was spared, thanks mostly to her second act showstopper "Duet for One (The First Lady of the Land)" [4] for which she received a mid-show standing ovation on opening night in New York and a mid-show standing ovation from the ...