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Bonus Depreciation: Allows businesses to deduct a significant portion of an asset’s cost in the first year. However, it’s being phased out by 2027 unless Congress decides to amend the tax code.
2020 Aesop Prize. The Fabled Life of Aesop, by Ian Lendler. Illustrated by Pamela Zagarenski (Boston: Houghton Mifflin Harcourt, 2020) 2020 Aesop Accolades. Under the Cottonwood Tree: El Susto de la Curandera, by Paul and Carlos Meyer. Art by Margaret Hardy (Los Angeles: North Fourth Publications, 2019) Lola: A Ghost Story, by J. Torres ...
The story appears in the form of a short anecdote in the collection of Phaedrus and concerns an old woman who comes across an empty wine jar, the lingering smell of which she appreciatively sniffs and praises, saying 'Oh sweet spirits, I do declare, how excellent you must once have been to have left behind such fine remains!' [1] Phaedrus is playing with the comic stereotype of the drunken old ...
The story of the feud between the eagle and the beetle is one of Aesop's Fables and often referred to in Classical times. [1] It is numbered 3 in the Perry Index [2] and the episode became proverbial. Although different in detail, it can be compared to the fable of The Eagle and the Fox. In both cases the eagle believes itself safe from ...
Three hundred Aesop's fables Frontispiece illustration of The Arabian Nights' Entertainments. George Fyler Townsend (1814–1900) was the British translator of the standard English edition of Aesop's Fables. He was the son of George Townsend and was educated at Harrow School and Trinity College, Cambridge-DCL 1876. He was Vicar of Barntingham ...
The Perry Index is a widely used index of "Aesop's Fables" or "Aesopica", the fables credited to Aesop, the storyteller who lived in ancient Greece between 620 and 560 BC. . The index was created by Ben Edwin Perry, a professor of classics at the University of Illinois Urbana-Champa
Rosemary Wells, reviewing Aesop's Fables wrote "Pinkney's Aesop is a visual treat. These are beautiful illustrations, combining pencil, colored pencil and watercolor with a light-as-air touch. .. The book is handsomely designed, in a large format, and fine paper sets off the illustrations to their best advantage." [1]
Commentators have seen a likeness to the story, although only in the detail of dancing to the pipe, in Jesus's parable of the children playing in the market-place who cry to each other, "We piped for you and you would not dance; we wept and wailed and you would not mourn" (Matthew 11.16–17, Luke 7.31–2). [9]