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Leon "Chaino" Johnson (1927 – July 8, 1999, pronounced: "Cha-ee-no"), the self-styled "percussion genius of Africa," [1] was an American bongo player. After touring for several years on the Chitlin' Circuit, he released several albums and became popular with listeners of exotica music in the late 1950s and early 1960s.
In 1972, Nze Dan Orji, and Raphael Amarabem formed the Peacocks International Band. The band’s first single, “Sambola Mama,” was the first truly popular Bongo music. It would go on to sell 150,000 copies in Ghana, and more than double that amount in Nigeria. The 1970s and ‘80s marked the strongest periods in the trajectory of Bongo ...
A pair of congas. Conga players perform on a tall, narrow, single-headed Cuban drum of African origin called the Tumbadora, or the Conga as it is internationally known. It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo.
Sub-Saharan African rhythm is divisive rhythm. However, perhaps because of their seemingly asymmetric structure, bell patterns are sometimes perceived in an additive rhythmic form. For example, Justin London describes the five-stroke version of the standard pattern as "2-2-3-2-3", [ 39 ] while Godfried Toussaint describes the seven-stroke form ...
4). The following examples show clave with the bongo bell and timbale bell parts in both a 3-2 and a 2-3 sequence. The timbale bell comes from a stick pattern (cáscara) used in the Afro-Cuban folkloric rhythm guaguancó. Timbale bell and bongo bell (bottom) in 3-2 clave. Timbale bell and bongo bell (bottom) in 2-3 clave.
The ensemble's rhythm section incorporated the maringa rhythm and traditional instruments, including a bass drum, a patengé, bells (reminiscent of maracas affixed to hunting dogs), double bells known as ekonga, a likembe, and modern instruments such as an accordion, a guitar, a mandolin, a banjo, and a rackett.
While many scholars and journalists use Bongo Flava and Hip Hop interchangeably, distinctions are made by many Bongo Flava and Hip Hop artists. [9] [10] Bongo flava borrows from Tanzanian hip hop, with fast rhythms and rhymes in Swahili. The name "Bongo Flava" comes from the Swahili word for brains: ubongo. Bongo is the nickname of Dar es Salaam.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).