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Custom lettering on the spine of a 1960s book. Lettering is an act or result of artfully drawing letters, instead of writing them simply. Lettering is considered an art form, where each letter in a phrase or quote acts as an illustration. Each letter is created with attention to detail and has a unique role within a composition. [1]
Invisible ink, also known as security ink or sympathetic ink, is a substance used for writing, which is invisible either on application or soon thereafter, and can later be made visible by some means, such as heat or ultraviolet light.
These are usually handwritten on the paper containing the text. Symbols are interleaved in the text, while abbreviations may be placed in a margin with an arrow pointing to the problematic text. Different languages use different proofreading marks and sometimes publishers have their own in-house proofreading marks. [1]
Boldface is often applied to the first occurrence of the article's title word or phrase in the lead.This is also done at the first occurrence of a term (commonly a synonym in the lead) that redirects to the article or one of its subsections, whether the term appears in the lead or not (see § Other uses, below).
In this table, Bold text The first cell in each row gives a symbol; The second is a link to the article that details that symbol, using its Unicode standard name or common alias.
Quality writing had a rhythm and regularity to the letters, with a "geometrical" order of the lines on the page. Each character had, and often still has, a precise stroke order. Sacred Western calligraphy has some unique features, such as the illumination of the first letter of each book or chapter in medieval times. A decorative "carpet page ...
Rubrication is the addition of text in red ink to a manuscript for emphasis. Practitioners of rubrication, so-called rubricators or rubrishers, were specialized scribes who received text from the original scribe. Rubrication was one of several steps in the medieval process of manuscript making.
The x-height (height of lower-case letters) is low, especially at larger sizes, making the capitals large relative to the lower case, while the top serifs on the ascenders of letters like 'd' have a downward slope and ride above the cap height. [8] The axis of letters like the ‘o’ is diagonal and the bottom right of the italic 'h' bends ...