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Koz plays a Yamaha silver alto sax (YAS-62S Mk. I) with a No. 7 Beechler metal mouthpiece, a Yamaha straight silver Soprano sax (YSS-62S) or a vintage Conn curved soprano sax with a No. 8 Couf mouthpiece, and a Selmer Mark VI Tenor sax with a Berg-Larsen 90/2 hard rubber mouthpiece. As for reeds, he uses a No. 3 Rico Plasticover. [22]
On June 5, 1980, the Berg Larsen mouthpiece Adams had been using for 32 years finally broke, which led him to replace it with a Dukoff D-5 mouthpiece and a Bari plastic reed. The following day, Adams premiered his new set-up at One Step Down in Washington, D.C. [5]
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C 3 (C one octave below middle C), to the high C (C 5). The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F ...
Rollins has played, at various times, a Selmer Mark VI [95] tenor saxophone and a Buescher Aristocrat. [96] During the 1970s he recorded on soprano saxophone for the album Easy Living. His preferred mouthpieces are made by Otto Link and Berg Larsen. [97] He uses Frederick Hemke medium reeds. [95]
Christlieb was born in Los Angeles, California, United States, [1] and is the son of bassoonist Donald Orville Christlieb, and Pearl Gold, [2] Christlieb has worked with many musicians, such as Louie Bellson, Chet Baker, Woody Herman, Count Basie, Tom Waits, Steely Dan, Warne Marsh, Vince Guaraldi, Quincy Jones, Doc Severinsen, The Tonight Show Band, Bob Florence, Frank Mantooth, Gary Urwin ...
The mouthpiece of the tenor saxophone is proportionally larger than that of the alto, necessitating a similarly larger reed. The increased stiffness of the reed and the greater airflow required to establish resonance in the larger body means the tenor sax requires greater lung power but a looser embouchure than the higher-pitched members of the ...