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Other mandolin variations differ primarily in the number of strings and include four-string models (tuned in fifths) such as the Brescian and Cremonese; six-string types (tuned in fourths) such as the Milanese, Lombard, and Sicilian; six-course instruments of 12 strings (two strings per course) such as the Genoese; and the tricordia, with four ...
The octave mandolin (US and Canada) or octave mandola (Ireland and UK) is a fretted string instrument with four pairs of strings tuned in fifths, G−D−A−E (low to high). It is larger than the mandola , but smaller than the mandocello and its construction is similar to other instruments in the mandolin family.
4 strings 4 courses. G 3 D 4 A 4 E 5: Mandolin-banjo, Melody Banjo, banjoline, bandoline US Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ♯ 3 B 3 "Pete Seeger" Banjo US (commissioned by Pete Seeger) Open string tuning; often played with capo on 3rd fret Banjo, tenor 4 ...
Bélido, a music teacher and luthier in Bab El Oued, changed the size of the "demi-mandole" then being played, increasing it, and changing the soundboard structure, case thickness and strings. [11] [12] The instrument he created is closest to the mando-cello in the mandolin family.
The mandola (US and Canada) or tenor mandola (Ireland and UK) is a fretted, stringed musical instrument.It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola (C 3-G 3-D 4-A 4), a fifth lower than a mandolin. [1]
Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1]
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The eight-string instrument appears to always have been tuned in fifths, either two octaves below the mandolin: G1 D2 A2 E3, or two octaves below the mandola: C1, G1, D2 A2. There is scant information as to how common this lower tuning (lower-ranging than the orchestral double bass) was, or in what circumstances people used it.