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The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
Steenbeck 16mm flatbed ST 921. Steenbeck is a company that manufactures flatbed editors. Steenbeck is a brand name that has become synonymous with a type of flatbed film editing suite which is usable with both 16 mm and 35 mm optical sound and magnetic sound film. [1] The Steenbeck company was founded in 1931 by Wilhelm Steenbeck in Hamburg ...
When invited (along with Victor) into Kodak's 16 mm plans in 1920, the company was quick to see the advantages and immediately set about redesigning the 17.5 mm camera for 16mm film. The Filmo 70 was the first spring motor-driven 16 mm camera. In 1925 the Eyemo, a hand-held 35 mm camera based on the design of the Filmo 70 was offered. It was ...
The synchronizer is used in conjunction with several other devices on what is called the editing "bench". The film synchronizer is specifically used to track the length of a reel of film. Both 16 mm and 35 mm versions exist, as well as versions with both 16 mm and 35 mm sprockets geared together so that the same number of frames are transported ...
The rollers on a Steenbeck flatbed editor. A flatbed editor is a type of machine used to edit film for a motion picture. [1]Picture and sound rolls are placed onto separate motorized disks, called "plates," and then threaded through picture and sound transports, each of which has sprocket rollers that transport the film or magnetic stock forwards or backwards at variable or fixed speeds while ...
Kodak introduced 16 mm film in June 1923 alongside the first Ciné-Kodak, a movie camera that was both more portable and affordable than those using 35 mm film; the new camera and film type were more suited for amateur use and generally are credited as the enabling technology for the creation of the first home movies.
Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]
The need for portable editing equipment during World War II greatly expanded the market for Moviola's products, as did the advent of sound, 65mm and 70mm film. [1] Filmmaker Brad Mays editing his first feature film Stage Fright on an upright Moviola, 1987. Iwan Serrurier's son, Mark Serrurier, took over his father's company in 1946. In 1966 ...