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Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord; Root (chord) Seventh chord; Synthetic chord; Thirteenth chord; Tone cluster; Triad (music) Upper structure
Before this, the 9th edition of the Bay Psalm Book (Boston, USA) had appeared with the initials of four-note syllables (fa, sol, la, me) underneath the staff. Reverend John Tufts , in his An Introduction to the Singing of Psalm Tunes in a Plaine & Easy Method , moved the initials of the four-note syllables onto the staff in place of "regular ...
A lead sheet may also specify an instrumental part or theme, if this is considered essential to the song's identity. For example, the opening guitar riff from Deep Purple 's " Smoke on the Water " is a part of the song; any performance of the song should include the guitar riff, and any imitation of that guitar riff is an imitation of the song.
Often the chords may be selected to fit a pre-conceived melody, but just as often it is the progression itself that gives rise to the melody. Similar progressions abound in African popular music . They may be varied by the addition of sevenths (or other scale degrees ) to any chord or by substitution of the relative minor of the IV chord to ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
In music of the common practice period, the tonic center was the most important of all the different tone centers which a composer used in a piece of music, with most pieces beginning and ending on the tonic, usually modulating to the dominant (the fifth scale degree above the tonic, or the fourth below it) in between.
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[12] In jazz, 7 ♯ 9 chords, along with 7 ♭ 9 chords, are often employed as the dominant chord in a minor ii–V–I turnaround. For example, a ii–V–I in C minor could be played as: Dm 7 ♭ 5 – G 7 ♯ 9 – Cm 7. The 7 ♯ 9 represents a major divergence from the world of tertian chord theory, where chords are stacks of major and ...