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The general model of color psychology relies on six basic principles: Color may carry a specific meaning. Color meaning is either based in learned meaning or biologically innate meaning. The perception of a color causes evaluation automatically by the person perceiving. The evaluation process forces color-motivated behavior.
Eigengrau (German for "intrinsic gray"; pronounced [ˈʔaɪ̯gŋ̍ˌgʁaʊ̯] ⓘ), also called Eigenlicht (Dutch and German for "intrinsic light"), dark light, or brain gray, is the uniform dark gray background color that many people report seeing in the absence of light.
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
In the West, the color black symbolizes mourning and sadness, red symbolizes anger and violence, white symbolizes purity and peace, and yellow symbolizes joy and luck (other colors lack a consistent meaning). From a recent study, it was discussed that associative learning is the process where an individual develops color preferences. In ...
Johann Wolfgang von Goethe writes in 1810 that a grey image on a black background appears much brighter than the same on white. [2] And Johannes Peter Müller notes the same in 1838 and also that a strip of grey on a brightly coloured field appears to be tinted ever so slightly in the contrasting colour.
Red is a highly evocative color that has been used in a variety of contexts throughout history. It is a primary color, meaning that it cannot be formed by mixing other colors together. In the RGB color model, which is commonly used in digital applications, red is represented by a combination of 100% red, 0% green, and 0% blue. [5]
The color spectrum clearly exists at a physical level of wavelengths (inter al.), humans cross-linguistically tend to react most saliently to the primary color terms (a primary motive of Bornstein's work and vision science generally) as well as select similar exemplars of these primary color terms, and lastly comes the process of linguistic ...
Opponent-process theory suggests that color perception is controlled by the activity of three opponent systems. In the theory, he postulated about three independent receptor types which all have opposing pairs: white and black, blue and yellow, and red and green. These three pairs produce combinations of colors for us through the opponent process.