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The Piano Sonata No. 2 was written during a time where the sonata lost its overpowering dominance. While the sonatas of Beethoven and Mozart comprised a considerable portion of their compositional output, this is not true of the next generation of composers: Franz Liszt only wrote one sonata among his dozens of instrumental compositions, Robert Schumann seven (eight if including the Fantasie ...
Frédéric Chopin composed three piano sonatas, two of which were published in his lifetime, one posthumously. They are considered to be among Chopin's most difficult piano compositions both musically and technically. They cover a period of time from 1828 to 1844, reflecting Chopin's style changes.
Although various composers in the 17th century had written keyboard pieces which they entitled "Sonata", it was only in the classical era, when the piano displaced the earlier harpsichord and sonata form rose to prominence as a principle of musical composition, that the term "piano sonata" acquired a definite meaning and a characteristic form.
Portrait of composer C.P.E. Bach. The older Italian sonata form differs considerably from the later sonata in the works of the Viennese Classical masters. [1] Between the two main types, the older Italian and the more "modern" Viennese sonata, various transitional types are manifest in the middle of the 18th century, in the works of the Mannheim composers, Johann Stamitz, Franz Xaver Richter ...
Download as PDF; Printable version; In other projects ... Piano Sonata No. 3 (Chopin) Piano Sonata in B minor (Liszt) Piano Sonata No. 2 (Shostakovich) Piano Sonata ...
The plan of the whole sonata is practically completely modeled after Op. 26 (excepting the first mvt: Beethoven’s is a moderately slow theme and variations while Chopin’s is a fast modified sonata form), it’s well established that the scherzo is reminiscent of the scherzo movements of Beethoven, with its explosive dynamic and rhythmic ...
There is a difference between selectively choosing your favorite reliable sources as separate from fairly represented the aggregate opinion. For example, if half of the many reviews of this Chopin sonata do not mention the Beethoven influence at all then that fact should be represented in this section. Similarly for the Bach passage.
Together with a number of rondos (Opp. 1, 5, 16 and 73), the Polonaise brillante and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s.