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Sugar sculpture is the art of producing artistic centerpieces entirely composed of sugar and sugar derivatives. These were very popular at grand feasts from the Renaissance until at least the 18th century, and sometimes made by famous artists.
Sugar glass is made by dissolving sugar in water and heating it to at least the "hard crack" stage (approx. 150 °C / 300 °F) in the candy making process.Glucose or corn syrup is used to prevent the sugar from recrystallizing and becoming opaque, by disrupting the orderly arrangement of the molecules.
Erwin Timmers installs site specific artwork made of recycled glass and materials in Bethesda, MD. Erwin Timmers (born 1964) [1] is a Dutch-born American artist [2] [3] and the co-founder of the Washington Glass School [4] [5] [6] in the Greater Washington, D.C. capital area.
Stiegel sugar bowl, Metropolitan Museum of Art. Over one dozen glass works operated in the British colonies and after the American Revolution, during the 18th century, as several milestones were achieved. [62] German-immigrants Caspar Wistar, Henry William Stiegel, and John Frederick Amelung were responsible for three of these successes.
Sugar painting (糖画) is a form of traditional Chinese folk art using hot, liquid sugar to create two dimensional objects on a marble or metal surface. Melted sugar is carried by a small ladle made by bronze or copper. After it cools, it will be stuck to a bamboo stick and removed using a spatula. Three dimensional objects can be created by ...
Art Nouveau glass is fine glass in the Art Nouveau style. Typically the forms are undulating, sinuous and colorful art, usually inspired by natural forms. Pieces are generally larger than drinking glasses, and decorative rather than practical, other than for use as vases and lighting fittings; there is little tableware.
Sugar people (糖人: Tángrén) is a traditional Chinese form of folk art using hot, liquid sugar to create three-dimensional figures. [ 1 ] [ 2 ] These fragile, plump figures have a distinct brownish-yellow colour, usually with yellow or green pigment added.
Simon Berger's glass portraits visualize a tension between strength and fragility through its motif, as well as his handling of the glass. The anonymous female portraits commonly share a powerful expression, their fierce gazes either piercing through the viewer, or fixating on an object beyond the frame.