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"Crazy Train" is the debut solo single by English heavy metal singer Ozzy Osbourne, released in 1980 from his debut album as a solo artist, Blizzard of Ozz (1980). The song was written by Osbourne, Randy Rhoads, and Bob Daisley. The lyrics deal with the subject of the Cold War and the fear of annihilation that existed during that period. [4]
"Crazy Train" features one of the most well-known heavy metal guitar riffs. He died in a plane crash while on tour with Osbourne in Florida in 1982. Despite his short career, Rhoads is regarded as a pivotal figure in metal music, credited with pioneering a fast and technical style of guitar soloing that largely defined the metal scene of the 1980s.
The album tracks "Crazy Train" and "Mr. Crowley" were released as singles in 1980."Crazy Train" made number 49 on the UK Singles Chart [23] and was moderately successful in the United States, reaching number 9 on the Billboard Top Tracks chart and the single peaked at number 6 on the Billboard Bubbling Under the Hot 100 chart in 1981. [24]
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The theme of the song is dark, but features Ozzy pleading for sanity in what he views as an insane world, hence the chorus "I'm going off the rails on a crazy train." The song is famous for its opening riff (bolstered by Osbourne's high pitched stacatto scream aieee! aieee! aieee !); one of the most famous in all of heavy metal and rock .
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
A train song is a song referencing passenger or freight railroads, often using a syncopated beat resembling the sound of train wheels over train tracks.Trains have been a theme in both traditional and popular music since the first half of the 19th century and over the years have appeared in nearly all musical genres, including folk, blues, country, rock, jazz, world, classical and avant-garde.
An automated virtual version of Jordan Rudess on a screen during a live performance in Porto Alegre, 2010. While many keyboard players in progressive rock tend to bring numerous keyboards on stage, creating large racks of instruments, Rudess samples sounds from other keyboards he owns and maps them to a single keyboard.