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Jean-François Millet (French pronunciation: [ʒɑ̃ fʁɑ̃swa milɛ]; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement .
Millet expressed a desire to paint a work showing a shepherdess with her flock as early as 1862. As his friend Alfred Sensier related, this theme "obsessed the artist's mind" until he exhibited the work at the Paris Salon of 1864, where it was a great success, called a "refined canvas" by some and a "masterpiece" by others.
The Winnower is the title of three oil on canvas paintings by French artist Jean-François Millet, created between 1847 and 1848.The first, now held at the National Gallery, in London, was painted in 1847-1848, and presented at the Salon of 1848. [1]
Jean-François Millet: 1814–1875 Woman Sewing by Lamplight [102] 1870–1872 oil on canvas Claude-Oscar Monet: 1840–1926 Vétheuil in Winter [103] 1878–1879 oil on canvas Giovanni Battista Moroni: c. 1520/1524–1579/1580 Portrait of a Woman [104] c. 1575 oil on canvas Bartolomé Esteban Murillo: 1617–1682 Self-Portrait [105] c. 1650 ...
Portrait of a Lady, François-André Vincent; Portrait of a Man, Vincent; Most of the paintings taken were small works around a foot (31 cm) along their longest dimension; the three smallest (the Brueghels and Millet's La barrateuse) were less than 80 square inches (520 cm 2), smaller than a standard letter-size piece of paper.
Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."
The Angelus (French: L'Angélus) is an oil painting by French painter Jean-François Millet, completed between 1857 and 1859.. The painting depicts two peasants bowing in a field over a basket of potatoes to say a prayer, the Angelus, that together with the ringing of the bell from the church on the horizon marks the end of a day's work.
The classically trained Millet was making a powerful political statement with this image, which raised a humble rural scene to the same level as a history painting. This intimate portrait reveals Millet's poetic side. Soon, he would transition to epic canvases for the Salon. [1]