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  2. List of bass amplifier and loudspeaker manufacturers

    en.wikipedia.org/wiki/List_of_bass_amplifier_and...

    This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.

  3. Tone control circuit - Wikipedia

    en.wikipedia.org/wiki/Tone_control_circuit

    Tone control is a type of equalization used to make specific pitches or frequencies in an audio signal softer or louder. It allows a listener to adjust the tone of the sound produced by an audio system to their liking, for example to compensate for inadequate bass response of loudspeakers or earphones, tonal qualities of the room, or hearing impairment.

  4. Grant Stinnett - Wikipedia

    en.wikipedia.org/wiki/Grant_Stinnett

    Reviewer Jake Kot in Bass Musician Magazine compared Stinnett to bass guitarists such as Michael Manring, Victor Wooten, and Steve Bailey, who play the bass guitar as a solo instrument, and Kot described Stinnett as presenting a "nice array of techno-adventures, ambient excursions, chord/melody playing", with good melodies. [3]

  5. Bass amplifier - Wikipedia

    en.wikipedia.org/wiki/Bass_amplifier

    Gallien-Krueger's bass amp heads have a "boost" control which provides a simulated tube overdrive effect. The Behringer Ultrabass BVT5500H Bass Amplifier Head has a built-in limiter and overdrive. The LowDown LD 150 bass amp has a range of overdrive sounds, from a slight hint to heavy distortion. The CUBE-20XL BASS amp includes built-in overdrive.

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  7. Roadie Tuner - Wikipedia

    en.wikipedia.org/wiki/Roadie_Tuner

    Roadie Tuner was created by two bandmates, Bassam Jalgha, an Arabic oud player, and Hassane Slaibi, a flute player. [2] [5] The Roadie co-founders were both engineering students at the American University of Beirut when Jalgha wished there was an easier and faster way to tune his twelve-stringed instrument. [6]