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In 1959 he published The Harpsichord and Clavichord: an Introductory Study, with accurate and detailed analysis and descriptions of the instruments. Russell was an early advocate of a historically-informed approach to instrument-building, based on study of surviving historical examples, and a return to traditional methods of both performance ...
Like the other harpsichord concertos, BWV 1052 has been widely believed to be a transcription of a lost concerto for another instrument. Beginning with Wilhelm Rust and Philipp Spitta , many scholars suggested that the original melody instrument was the violin, because of the many violinistic figurations in the solo part—string-crossing, open ...
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
Of all Bach's harpsichord concertos, this is probably the only one that originated as a harpsichord work without orchestra. [49] The work originated as a concerto for two harpsichords unaccompanied (BWV 1061a, a.k.a. BWV 1061.1, [ 50 ] in the manner of the Italian Concerto, BWV 971 ), and the addition of the orchestral parts (BWV 1061, a.k.a ...
Resonance made visible with black seeds on a harpsichord soundboard Cornstarch and water solution under the influence of sine wave vibration A demonstration of sand forming cymatic patterns on a metal plate. Cymatics (from Ancient Greek: κῦμα, romanized: kŷma, lit. 'wave') is a subset of modal vibrational phenomena.
With the harpsichord revival in the 20th century, harpsichordists commissioned new pieces for the new 'revival' instrument: Wanda Landowska commissioned concerti from Francis Poulenc and Manuel de Falla. Though the 'revival instruments' have now fallen out of favour, concerti continue to be written for harpsichord, though are now more likely to ...
The Harpsichord Owner's Guide. Chapel Hill: University of North Carolina Press. Kottick, Edward (2003). A History of the Harpsichord. Indiana University Press. ISBN 0-253-34166-3. An extensive survey by a leading contemporary scholar. Russell, Raymond (1973). The Harpsichord and Clavichord: an introductory study (2nd ed.). London: Faber and Faber.
The Harmonious Blacksmith is the popular name of the final movement, Air and variations, of George Frideric Handel's Suite No. 5 in E major, HWV 430, for harpsichord.This instrumental air was one of the first works for harpsichord published by Handel and is made up of four movements. [1]